By Christine Gerhardt
Dickinson and Whitman built their environmentally suggestive poetics at approximately a similar ancient second, at a time while a big shift used to be taking place in American culture’s view and realizing of the wildlife. simply as they have been reaching poetic adulthood, the dominant view of wasteland was once starting to shift from concern or exploitable source to an endangered treasure wanting conservation and preservation.
A position for Humility examines Dickinson’s and Whitman’s poetry along side this crucial switch in American environmental belief, exploring the hyperlinks among their poetic tasks in the context of constructing nineteenth-century environmental inspiration. Christine Gerhardt argues that every author's poetry participates during this shift in several yet comparable methods, and that their involvement with their culture’s starting to be environmental sensibilities constitutes an immense connection among their disparate poetic initiatives. there is few direct hyperlinks among Dickinson’s “letter to the area” and Whitman’s “language experiment,” yet through an online of environmentally-oriented discourses, their poetry engages in a cultural dialog in regards to the flora and fauna and the probabilities and boundaries of writing approximately it—a dialog during which their thematic and formal offerings meet on a shocking variety of levels.
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Additional resources for A Place for Humility: Whitman, Dickinson, and the Natural World (Iowa Whitman Series)
A Place for Humility: Whitman, Dickinson, and the Natural World (Iowa Whitman Series) by Christine Gerhardt